I might be wrong
Bound Object
Bound Object
2026
Book
Exhibited in venues including Printed Matter, Center for Art, Research and Alliances in New York, Enter Enter in Amsterdam, and PROGRAM/ME in Paris as part of A Sequence of Spaces: Yale Graphic Design MFA 2026 Thesis Book.
Book
Exhibited in venues including Printed Matter, Center for Art, Research and Alliances in New York, Enter Enter in Amsterdam, and PROGRAM/ME in Paris as part of A Sequence of Spaces: Yale Graphic Design MFA 2026 Thesis Book.
Excerpt from the editorial statement
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A book that mostly forgets about the methodology of categorization, except for the underlying dualistic scheme of language and image. This means there is only a reticent strategy of hierarchy. No evident sectioning. No captions that correspond neatly to each image. A somewhat flat typographic system.
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A book that refuses to suggest a complete, singular truth. Contents consist of incomplete representations of a work, works that have never been realised, works that failed to be chosen, works that lost competition. Works loved, hated, and not cared for.
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A book that denies the state of resolution. Images and texts are self-aware of their needs to be constantly calibrated. Version after version, revision after revision. Processes presented as results and vice versa. Each work is a different rendition of a vaguely common idea. Every writing is one possible combination of words that attempts to get at the same topic.
- A book that thinks of the relationship between its form and the idea of definitiveness. … It is a bound object … It is an installation in a space … It is a website … Each permutation sometimes seemingly oblivious of the others’ existence, sometimes directly referring to them, presenting itself within itself.
The extensive effort that the book makes that this statement describes, has happened and is happening under pressure of the omnipresent weight of doubt.
I might be wrong.
Fictus
Factus