Exhibited in venues including Tina Kim Gallery New York as part of Half Memory, Twice Remembered: Korean Artists from the Yale School of Art, and Yale School of Art Gallery as part of Time Again.
The digital calligraphic letterforms of Daily Asemic Lettering were translated onto several different media. Here, selected words were stretched and placed to fill the surface of some weekly discount newsprints. Directly hand-painted onto the densely printed information(mainly consisting of product images and price numbers), they create both textual and formal friction. A contrast between the highly systematized, repetitive, and rational language of commerce and the esoteric, unreadable, and traditional-looking brush letters.